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Wednesday, February 28, 2007

DRAMA: THE DIMES DISS N&S


The Dimes sent the following email to the rest of the bands on next week’s Noise and Smoke bill, and of course you know we ended up with a copy of it:
Hey,
We wanted to let you know, personally, that we have decided to drop from the Noise and Smoke show.

It is important to us that you know that this is in no way meant to be a sign of disrespect to you or any of the other bands on the bill. And rather than have you speculate as to our reasoning, we feel that you are owed an explanation. That said, we have based our decision on the general mishandling, lack of communication and professionalism surrounding the show.

Since the show's inception we have attempted to remain professional despite the total lack of communication. At no time throughout multiple venue changes has anyone bothered to contact us but instead, information has come from third parties. And despite several offers to play other shows, we felt it was important to remain professional. However, with the recent developments, there is a strong indication
that there has been inadequate preparation and therefore, we no longer feel this show is in our best interest.

Again, we want to make clear that this has nothing to do with personal profiteering and is not meant to be a sign of disrespect. We had high hopes for this show.

Sincerely,

The Dimes

Well, we won’t call foul on the fact that they state in one sentence that they are quitting because the show is no longer in their best interest and then turn around and say the decision has nothing to do with personal profiteering in the next. And because their average age was 10 when N&S organizers starting booking shows, we may even be inclined to give them a pass on their inability to roll with the punches that a horizontally ID’d act would take in stride. Hell, we might even be able to find it kinda funny that they keep referring to professionalism in a letter where they are about to drop off a bill about a week before its lights go on.

However, no other band we spoke too knew anything about ‘multiple venue changes.’ And we are inclined to take the show organizers at their word that they phoned each of the Saturday bands after the necessary venue change was secured but before going public.

This is too bad - The Dimes are a solid band and it’s not entirely clear why they would schlep their gear to Walter’s but not The Axiom (we wrote them for comment, a message that they read but have not yet responded to).

Fortunately, Pasadena punks The Sporatics have taken up the call and are now on the Saturday lineup in The Dime's place.

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REVEALED: Westheimer Block Party Lineup


Yes, it's true, there is apparently a band called Doo Doo Butter. More info soon.

Tuesday, February 27, 2007

FATAL FLYING WHIRLYBALL

Peep this vid from Erik Bogle's 5dayweekend LJ - guitarer, drummer, funner John Adams (Yellow something) and flat-hat-brim photog Jordan Graber (Yellow #1) playing Whirlyball at the Atlanta venue for the recent Fatal Flying Guilloteens tour (hear the band playing in the background?). Sadly, much of what happens outside the city cannot be retold inside the city, but we're sure just as much tomfoolery will be on display at their upcoming appearance at the SXSW Mess With Texas party.

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DOES YOUR IPOD KNOW: Co-Pilot – Low Earth Orbit


In the Riddicktian system of movie reviewing, there are only a possible three stars: one each for explosions, outer-space and Vin Diesel. So, lets say that Mr. Too Fast, Too Furious decided that, when it was time to soften up his image a bit, chose not to go the second-rate Kindergarten Cop route but instead took on a project were he was revealed to be vulnerable, and suffers a vivid, personal but not planet-destroying loss of a woman that he loved. And imagine if, the producers wanting to get a perfect three-star rating, had decided to set said climax of catharsis against the background of an explosion in outer space. Yeah, Co-Pilot’s ‘Low Earth Orbit’ is kinda tite that way (HEY! DON’T HATE ON VIN DIESEL!).

The demo, presumably for one of the quartet’s planned 2007 multiple EPs plus full length release schedule, is a stellar example of that stargaze nonsense we were talking about the other day, and we advise your adding it to your ‘absorb’ play list before their please please please do not get canceled show March 11th at Walters (we talked about this bill the other day too).

MP3: Co-Pilot - Low Earth Orbit

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FIRST LISTEN: NEW SPAIN COLORED ORANGE


Yesterday Gilbert, the man behind Spain Colored Orange’s vocals, keyboards and best hat (not shown), leaked to us a few tracks from the group’s upcoming full length Sneaky Like a Villain. Well, not at first. First he sent us the track ‘Hide’ and let us stew on that for a few hours while we tried to figure out a response. Anyone familiar with the band’s sound will understand why the following attributes of the arrangement left us at a welcome loss for words: 'Hide' has drum machines and a synth for bass; no guitar and no trumpet. ‘Departure’ is an understatement – ‘gutsy’ probably is too.

After the most politely worded inquiry we could draft regarding whether the entire band had been fired in the studio, the man who sits at the Rhodes wrote back with three other tracks and more about the shape the album is taking: “There is a bit of a departure from the EP [Hopelessly Incapable of Standing in the Way]. The album is way more diverse. This time around, I really focused on what I wanted to do as far as song writing. Being....electronic, weird-spooky-jazz-pop, or just feel good 70's rock. Not so straight forward rock, like the previous release.”

And we’d have to agree. From the tube-socked roller-skate down the boardwalk with the love child of Tom Jones, Chuck Mangione and the Turtles that is ‘Who Am I’ to the Goulet dune buggy mischief of ‘Cheap Thrills’ to the glitch drums and string section in Music Box, all we can really say is that Villain will prolly be as (if not more) pub PA friendly as Hopelessly while taking the headphones experience up the light rail several stops.

No doubt at least a little bit of the recording (which took place at Sugarhill with Steve Christensen assisting) during December with some mixing done last week, benefited from having Bill Racine there for the recording. Racine, who has worked with a bunch of nobodies you have never heard of like Mogwai, Sparklehorse, Mercury Rev, Rouge Wave and the Flaming Lips, met SCO while they were on tour with Mates of State and offered to do their next album. The twelve-track album will come out towards the end of the summer on a TBD label.

Spain Colored Orange will be playing Saturday, with Paris Falls and The Kimonos, at the Balinese Room in Galveston as part of the first Sandblast Scooter Rally. And though our editorial calendar tells us that we shall most likely repost the following information on March 14th, here is SCO’s ‘we’re taking it easy’ SXSW schedule:

March 14 @ The Parlor- Spain Colored Orange (11pm), Cartright (10pm), The Quiet Company (9pm), The Quiet Life (8pm)

March 15 @ Bella Blue- KVRX & I Eat Records party! Spain Colored Orange, YipYip, When Dinosaurs Ruled the Earth, Black Before Red, Mae-Shi, Greg Ashley (of Gris Gris), The Six Parts Seven, Ladybug Transistor

March 15 @ Cheapo Disc- Spain Colored Orange instore at 2 pm.

March 16 @ Scholz Garten- Texas Music Magazine party

March 16 @ Hole In The Wall- Invincible Czars, Two Star Symphony, Spain Colored Orange and others.

March 17 @ The Whisky - Shout it Out Loud / Boys & Girls Club Day Party! O' Death, Kid 606, CeePlus, Foreign Islands, Shit Disco, Datarock, Spain Colored Orange, David Vandervelde and others.

stream: Spain Colored Orange - Hide

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Monday, February 26, 2007

BETTER THAN THEIR MYSPACE: Antarctica Starts Here


So – what is with this new wave of Houston music lately? It’s not emo, though clearly there is an earnest amount of heart-sleeving. There are atmospherics, and perhaps the occasion Pelican Exploding in their Skies, but it doesn’t come across as raw appage of any post- anything genre. And it’s not really shoegaze either, if only because its prognosticators are clearly looking at the stars rather than their feet. So whatever – we’ll call it spacegaze - because genre labels are a lazy journalistic conveniences and we are all about conveniences (and also ‘spacegaze’is such a terrible name that there is little to no chance of it catching on).

Antarctica Starts Here is one of those bands. We checked them out for the first time Saturday night at the Proletariat (with Program and The Watermarks), and even though their new drummer and keyboardist have been with them for only a few weeks, they’re already a markedly different band from the tracks on their self-distributed Bella Mas EP. Their sound is large and fills your pores, but this is an aloe wash, not a sandstorm. The guitars are gigantic, the drums are running you even harder, and it all makes so much more sense with the vocals. We caught up with ASH vocalist Jenna after the show and she gave us all the dirt about what’s in store for the quintet next. Ok, so actually we just MySpaced her the next day.

For the Record:
“We are planning on going to record with Jon Crosby (VAST) at his new studio sometime in May. Initially when he took an interest in working with us, we had planned on going the second weekend of March and were going to try and record 3-4 songs. With the new members, and the way the writing style is growing, and progressing to an unstoppable monster, we decided to wait and write more before we go back in the studio."

And what of new members?
[New keyboardist] "Justin’s style, the way he writes/influences have always been a huge influence to me as well. I love the Rhodes, and [former keyboard player] Chase wrote amazing parts, but Justin is going to incorporate both into our music from now on. I am super excited about the potential and noise we will as a new collaborate create."

So - want to check out this stargaze baloney in person? Your best bet is March 11th at Walters, where ASH will share a bill with the like-rocking Co-Pilot, Margot and Corpus Christi's i am trees.

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Sunday, February 25, 2007

WEEK IN REVIEW: Other News

A Summary of our Other News links from last week.

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Friday, February 23, 2007

AXIOM AND ALLIES: Noise & Smoke Changes Venue


The Saturday lineup for March's Noise and Smoke Festival has changed venues and, sadly, changed lineups. The second day of favs will now take place at the Axiom, a venue that organizer Liz Molina is right in pointing out will be far less likely to suffer the slings and arrows of an HPD visit. In announcing the move, N&S broke the news that God's Temple of Family Deliverance won't be able to play due to the state of drummer Chris Ryan's foot (this is the only time we have ever wished he just played lute or dulcimer or something without a kick drum) - get better buddy.

In related Noise and Smoke news, true to their word, though both Joey and Liz are both in the C-Ya Later former Houstonian camp, they're putting together other shows. Recently announced is a bill featuring Clipd Beaks, Church of the Snake and local troublemakers Balaclavas and Wicked Poseur - March 24th @ Notsuoh.

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JUGENDMENT DAY: HELL CITY KINGS TO OPEN FOR TURBONEGRO


Remember last week when we told you the Hell City Kings were taking some time off to work on new material? Well, sorry 'bout that; turns out that we'll just have to hear those songs one more time as the Kings are putting their hiatus on hiatus to warm up the crowds for Norway's Turbonegro, March 15th at the White Rabbit in San Antonio. So - to get the timeline straight - in February they played a set as Turbonegro and in March they will play a set with Turbonegro. Oh, and in there somewhere are two 7" releases, a new CD and those new songs they are writing. Yeah, but what are they really doing with their free time?

STREAM: Hell City Kings - Various Tracks

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WAY BACK MACHINE: Legionaire's Disease

Don't be a dingle and act like you were at this show; it took place in 1979. In this clip, Houston punks Legionarire's Disease play a couple of unknown songs in an unknown venue. Highlights of this video: People are doing the pogo jump, it looks like it could have been videoed yesterday, evidence of punk in Houston ini 1979. Via Zahava 222.

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NOT DEAD: Hands Up Houston Message Board

Sometime in the past few days, the frozen in carbonite home page for Hands Up Houston, the now gone but forever sentimentalized booking collective that brought many an excellent show to us for the first five years of this century, went off the air. Visiters to the domain are no longer greeted by the eternal flyer for their final show with MC Chris, but are instead faced with one of those sketchy searchy things one encounters when accidently typing amerzon, mtspace or svpervunson. FEAR NOT, the HUH message board, long the best place to hang out with people at work that you will later hang out with at the bar, is still up and running. Ladies and Gentlemen, Alter Thy Bookmarks: http://members.boardhost.com/hands_up

Thursday, February 22, 2007

MASH-UP: SHARKS & SAILORS VS. DEICIDE


Ok, not really, but if you take a close listen to the new demo tracks on Sharks and Sailors MySpace Page, you can hear a Deicide cover band rocking out in the room next door. Seriously. Add to these nine other demos they have recently recorded in their Francisco's practice space and you might think “Gee – that’s a whole album.” You are correct sir! According to guitarist Mike Rollin they plan to lock themselves and no ladders in Chris Ryan’s Dead City Sound studio in late March to (finally) put out a full length.

Catch Sharks and Sailors’ mix of metal, rocks falling on your head, crashing waves, falling drawbridges, viking homecoming parades and adroit melodies live tomorrow night along with Red Sparrows and My Education at Walter’s on Washington. They'll also be on 91.7FM KTRU around six that night and have been very coy up to the present about perhaps debuting a new track on the air. Trixy Hobbits.

PS: The Sharks and Sailors EP is now available as a free download:
MP3: Sharks and Sailors - Battle
MP3: Sharks and Sailors - Topple the Pillar
MP3: Sharks and Sailors - Skin Like Iron

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George Clinton, Lucinda Williams, Tody Castillo, Arthur Yoria to Sing in Chinese

Well, it’s no Coachella, its no Bonnaroo, ACL, Pitchfork Music Fest, Reading or even Ozzfest, but The Houston International Festival is what we got, so we might as well report on it. The festival, whose nation of note is China, released their live music schedule yesterday, and, as in the past, not too many acts that fall in our scope will find themselves on the stage. But before all that, let us be the first to make the joke that George Clinton and the Parliament/Funkadelic are playing Saturday, because they are hopelessly occupied on Friday, 4/20.

Also of note on the main stage (April 29th) will be Lucinda Williams, whose country is our kind of country and whose latest album West came out just last week.

Local acts will find themselves playing from the glory of the “Flamingo Gardens Houston Stage,” though you’ve likely only head of a handful of those on the roster (unless you’ve been hiding your southern rock or zydeco blues fetish from the rest of us). Included in that group are hard working pop kids Tody Castillo and Arthur Yoria. Also, REAL TALK: The Southern Backtones are playing – their sound has been going in a very different, non-Southern-roots direction lately and you may be surprised how, well, good some of their new material is. Also, there are always tons of very attractive people at their shows, and is about the best option out there for warming up before the roof gets torn off that suckah later that night. FUNK!

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Wednesday, February 21, 2007

On the Road: Fatal Flying Guilloteens


Hide your shampoo bottles oh people of the South, Houston’s Fatal Flying Guilloteens left this morning for a three city mini-tour of Old Dixie. After meeting up with guitarist, sometime vocalist and Philly transplant Brian McManus at the Birmingham airport, the quintent, who haven’t played a show since November’s CMJ Festival, will try hard not to get into a situation where they have to write their own letter from a local jail (RECOGNIZE: Black History Month).

From Alabama, the Guilloteens, along with tour-mates Black Lips and Dark Meat will travel to Atlanta and Athens before returning home weeks before a full SXSW performance schedule. Joining them on the road is can’t- go- a- week- without- his-work- appearing- on- the-chron.com- frontpage photographer Jordan Graber and driver/van owner/Bring Back the Guns shredertainer Erik Bogle. Hopefully their transport and things in general does better than on their last tour.

In other Guilloteens news, they have recently completed the recording for their next album, due out in May on French Kiss Records. No word yet on a title or tracklisting, but if their NSFW website revamp is any indication, they haven’t forgotten how to do nasty Right On!

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Does Your iPod Know: Paris Falls – Shelter


Occasionally, a song kicks us in all the right places and we can’t help but share it with you. Currently on repeat in The Skyline World Headquarters is ‘Shelter’, a preview track from Paris Falls’ latest round of recording. In much the same way the second American Analog Set LP's home recordings spelled out how the freedom of the infinite session can move a group from cake to icing, Shelter showcases a band that hasn’t just honed their skills behind the levers and knobs, but in their entire pop-craft as well. A coda loop that begs for a mash-up competes with a Midwest chorus to be the part you don’t much want out of your head.

Check out the now Mikey Deleon-less kids that count along with Spain Colored Orange and The Kimonos March 3rd at Galveston’s Balinese Room for the Sandblast scooter rally.

MP3: Paris Falls - Shelter

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Monday, February 19, 2007

VIDEO: LIZFITS and URKEL JERKS

Ah, the send off of a friend and luminary; were there ever so bittersweet an affair? As Houston sends away a beloved and important friend, a show and festival organizer, a chanteuse, a connector of dots and a real original all in one, we can do so only in the style of a pikey wake. Best of Luck in San Antonio Liz.

Enough with the sentiments, I wanna see some Black Flag and Misfits covers!

Urkel Jerks - Depression



Lizfits - Where Eagles Dare

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REAL TALK: THE NEW PUBLIC NEWS

As of this week, the long-gone Public News is back in the racks. We won't ponder on the folly of launching a newspaper into the current publishing environment (though if we did, it would be pretty much Mike McGruff's insights read verbatim), and will consider that separate and unrelated to our inquest of her editorial.

We are of the commonly held view that Houston, as perfect as she is, contains among her few flaws a lack of indigenous publishing, comment, promotion and critique (this has been on a lot of lips lately, in private conversation, a recent Lomax Houston Press column and even Houstonist's post on the PN's return).

In his inaugural column, publisher Ken Petty states with no uncertainty his thoughts on the state of music coverage in this town:
It’s always fun to see what these guys think is important to cover. The one thing that I recall is the continual glaring and almost intentional omissions of notice that there is even a music scene in Houston. One writer, who will remain nameless, but we shall call him ‘One Lova Nomax’, continues to cover things that no one really gives a rat’s asterisk about.

Great local bands are being birthed and are dying out with out much more than a mere mention of their existence in the newsweekly paper’s entertainment section. One of them, since 2004, decided that Harris County was not for them and they won’t distribute their product here anymore.
So, as it is with us and others, local music is more than a little important to the Public News' publisher. So is it with sharp vision that they tackle their first local artist feature, an interview with members of Savage Evolution?

Absolutely not.

Though the piece is unattributed, its hard not to suspect that it was penned by the author of the accompanying sidebar, Connie Parker, the Promotions Director for the Houston Band Coalition. The ham-handed incorporation of the Coalition into both pieces is beyond snikerable; whether they are local or not, having a PR person write about the bands they rep is not the hallmark of serious editorialship. A band listing a Clear Lake club as their “favorite Houston venue” and holding down a monthly gig at Rocbar is anything but underground rock and roll, and it begs the question does the PN know that the meaning of the word ‘Alternative’ has shifted radically since they last published?

Locals like Jana Hunter, Spain Colored Orange, Indian Jewelry and the Fatal Flying Guilloteens are slowly gaining national attention but are still virtual unknowns where they live; did none of these blindly innovative acts merit more exposure than a band opening up for Winger next month?

The Public News is back, but not yet back on its feet. We’re not looking to push them down. We hope that they turn it around, ditch the spokesmenship and take a harder look at what’s really going on here. You can diss on local coverage all you want Public News, but show you’re not part of the problem first.

PS - What the hell is with the cover?

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Sunday, February 18, 2007

Legosi Can't Dance, Legosi Can't Walk

When hearing that solo strummer Erin Dance has formed up a band named Southern Bellugosi, you probably expected a headline containing either 'Undead!' or 'Bride of the Monster.' Sadly, nothing, it seems, can trump a Genesis joke, so we went with that. Yes, we're stupid. Dance Dance to words of her Revolution: "they are the same songs that i've written but now i have a drummer, bassist, and another guitarist. so the songs sound noisier and a little raunchier." The tracks on their MySpace page are still Erin alone, strumming breezy pop while the two of you sit on the wood floor and the lemonade condensates on the planks - worth checking out before they go away or before you see them at a to-be-confirmed show in early March. Sussudio!

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Week in Review: Other News

A Summary of our Other News postings from last week.

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Saturday, February 17, 2007

RUMOR: Walter’s on Washington’s Finances Raided

We were tipped off that one night last week, during a show, Walter’s on Washington had an unwelcome visit by the authorities aka the man aka The Law. Different from the chronic noise complaints and subsequent visits from the police, the most famous instance of which being last year’s tazer-fest during the Two Gallants show, this was apparently a raid relating to taxation. “Nah, these weren’t HPD cops – they were finance people,” our source says, “Comptroller or something like that. They emptied the money out of the bar register and asked the kid who had set the show up about his tax id or something.” Speculation abounds, but the people gunning for Pamland’s final outpost may get their petty, unwelcome, suburban justice the same way Elliot Ness got Al Capone.

The destructive gentrification of Washington between I-10 and Downtown has long been bemoaned as the root cause for the closing of the three other live music venues on the strip in as many years; the Rhythm Room, Silky’s and Mary Jane’s Fat Cat. Walter’s could be easily considered the city’s most important all-ages stage for touring bands that are just getting onto the blogosphere’s radar, and with it the best way for locals to get in front of a like-minded audience. With no obvious successor, and troubles Walter’s may be having is trouble for us all. Dearest 1415 Washington, we wish you all our best.

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Friday, February 16, 2007

Hell City Kings Make it Even More Obvious That You are Sitting Around Not Doing Jack

There are those days when you feel like you’ve been pretty productive: cleaned your room, knocked out the groceries, paid some bills and even got your oil changed and worked on your Peter, Bjorn and John vs. Jay Z remix. And then you hear what the Hell City Kings have in their queue and realize that you haven’t quite done squat. Yes, the Turbonegro-covering men of Texan denim have a full spring of releases and other plans that put your to-do list quite to shame. Due out next week is a split 7” with Houston punks I Am Wolf (available for sale Tuesday on their MySpace page). In March, Cutthroat Records will issue their Southern Belles 7” and then, after some time recording, they’ll be putting out a CD of 6 studio tracks and 5 or so live ones.

When asked about why they were taking some time off from playing live, guitarist Bill Fool responded that they have been playing the same stuff for quite a while, and with the impending SXSW musical anti-dearth it seemed like a good opportunity to take some time off and work on new material. But your reprieve won’t last long: Fool states that the gang will be back on the stage in late March or April. If you don’t feel like waiting till then, check them out tonight at Rudyard’s with Whorehound and Austin’s Broken Teeth. Rippage.

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Smoke Eaters Add Bassist, Fear the Groceries, Record

Not one week from their right-back-at-ya set as the Pixies for Fitzgerald’s You Ain’t Punk showcase, the Smoke Eaters have asked their friend, Kim Deal stand-in, and self-described "Fitz Sound Wench" Lauren to join up full time. In discussing their set, guitarist and Santiago channeler Jay noted that he had both personal and local trepidations about playing as a band whom the harsh laws of the Magna-indie Carta declare un-coverable. Sayeth the smoke:

Had I not been playing I most likely would have been one of you, wondering who the hell thinks they can pull off a set of my beloved Pixies. Trust me, we love the Pixies as much as anyone and wanted to do them justice. I talked to Eric from Bring Back the Guns … and I didn't think to tell him that as we were preparing for this show, I honestly had thought to myself "I wonder what the guys from the Groceries would think?"

Eric’s Response: “They think 'Right On!'”

The Smoke Eaters have one last show (March 10th at Fitz Downstairs with L.A.’s Sputnik Monroe) before taking time off to record and presumably adjust to their new lineup. Stoked.

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Wednesday, February 14, 2007

GOSSIP: DOM TO DO SOUND AT THE PROLETARIAT

BRING THE NOISE: Domokos, who, like Prince, Cher and Oprah, does not have a last name, has been signed on by The Proletariat to be their sound engineer for their Wednesday night Commune Music series. As A Pink Cloud and with stints in current and past groups like Rusted Shut, Helios Creed/Chrome and Swarm of Angels, the new man wearing the old cans has shown a propensity for the rough, the ready, the unreduced and the loud – no clue how or if this will translate into his live engineering or why anyone thought citizen journalism was a good idea. Dom, who had no comment for this story because we did not ask him, will have his first go of it at tonight’s Valentine’s Day Massacre show, featuring The Medicine Show, Dizzy Pilot and Lions plus a live date auction hosted by Arthur Bates. Congratz Dom.

Update: Add to the bill SouthernBellugosi (who was formerly known as Erin Dance) and Down From the Clouds. There will still be an auction, but only an evening with a bachelorette is for sale - sorry ladies. $8 or $6 for people with mustaches (seriously).

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Tuesday, February 13, 2007

Last Week in Other News

Repost of our "other news" links from the past week, archived for your eternal pleasure.

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March Madness Show Binge Update

YO! Last week SXSW finally put out thier preliminary list of acts, and so expect the list of Houston CONFIRMEDs to start flooding in soon. In the meantime, we've updated our Binge/Purge list from last week to include the following acts:

Six part Seven, the Nautical Mile, Constants, Tambersauro, The Moaners, Lebanon, Stinking Lizaveta, Weedeater, Noxagt, Black Fiction, Sputnik Monroe, Solarfed, Matt Duke, Mermaid Police, Hoots & Hellmouth, The Human Condition, Jonah Matranga, The Snakebites, City Streets, The Mathematicians, Transmography, A Problem of Alarming Dimensions, *SONS, Josh Abbott, Orents Stirner, The Slats, Panther, Minmae, Bears, The Toadies, Hot Cross, Bitter Homes and Gardens, Big Business, Crystal Castles

Get the schedule here

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Sunday, February 11, 2007

Cop Warmth says Be Mine

We have recieved the following message from the kids in Cop Warmth, and feel no amount of journalistic rephrasement will ever do it justice:

WE HAVE CDRs FOR FREEE!!(THANKS TO JOHN SEARS!! WE LOVE YOU!) JUST LET US KNOW IF YOU WANT ONE. TAKE ONE...TAKE TWO. FOURTY. FOR YOUR FRIENDS. YOUR ABUELITA. YOUR SANCHA. WHO EVER YOU WANNA GIVE THEM TO. CONSIDER THIS OUR VALENTINES PRESENT FOR YOUR SISTER. SO JUST LET US KNOW IF YOU WANT ONE AND WE WILL EITHER GIVE IT TO YOU PERSONALLY (with a little hallmark song) or we will give you the files through aim or msn. or if you want we can mail it to you. doesnt matter how JUST HAVE OUR SONGS SO THIS VALENTINES...
The message subsequently goes on into some rather specific details as to how it might be helpful to have a copy of their John Sears-recorded album this Valentine's Day (which we shall not print here just in case our parents read this). The kids that care have a few upcoming shows, including the 21st with The Sporatics and an appearance at Noise and Smoke March 9th.

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Fitz Bands Rock the Cecils Jukebox...and are Really Really Really Good


Fitzgerald’s, and the bands that play there, are the butt end of many a joke about the state of music in our city. Yet there it is; the keystone of a much larger and better-attended rock and roll scene than that which might be called the loose assortment of acts defined in the tag cloud in the column to your right. Yet, as indie snobs, when reading that a gaggle of said acts will be spending an evening covering as oh-no-he-did-nt acts as Fugazi, Rage Against the Machine, the Pixies and other staples from the jukebox at Cecils, it could be understood how one might absolutely throw down $10 for an evening pre-judged as “awesomely bad.”

Got that one wrong.

From the moment we arrived, close to the end of Mourge City’s downstairs set as The Cult, it was pretty clear that an evening spent in cap-lock LOL wasn’t going to be so because it was bad, but because it was actually pretty good. As they launched into a set ending (duh) version of Fire Woman, it finally occurred to me that these guys weren’t dressed like a bunch of dingleberries: they were dressed as The Cult (ok, I should have been clued in two songs earlier by the drummer’s hilarious wig). Holy crap, I remember this video; the singer isn’t just singing like Ian Astbury, he’s performing like him too. That extra umph of shtick, not just playing their songs but actually being the band, was a theme that was executed pretty much perfectly for the entire night, piling on the fun.

Oh, and these bands all played really really well too.

Heading up the stairs, which more memories of high school being coming back with each step up those bizarrely familiar stairs, there were moments to spare before Full Release launched into a pretty much spot on stomp through the highlights of Rage Against the Machine’s self titled debut. And, again, it ruled (though they cheated as they are actually a full time cover band). It started to sink in at this point that the silly appeal of the music played by the like S.A.R.S., Big Brown Truck, lizfits and Sports, cover bands that we know and love, translates just as easily in the 90s as it does the 80s; Bombtrack is just as fun, and terrible, after all, as Holiday Road.

Back downstairs for The Contingency’s set as Fugazi (another thing oft forgotten about Fitz – they stagger their shows so you can see pretty much every band play every song and don’t have to stand around picking your nose while backlines are being changed out). Covering a band as deadly serious and revered as the cornerstone of Dischord Records is risky business. But The Contingency did it, and did it well. They’ve been on our list of acts to check out for a while now, and with this performance they moved quite a bit closer to the front of the line.

Back upstairs, Hell City Kings, Turbonegro. No surprise here, a band fronted by the commandant of the local Turbojungend nailed it, look and sound alike. As the jugend poured on the beer, front man Christian (in a wig, no less), poured on the Norwegian. It’s fun to see guys who look tough as the coffin nail geek out so freely. Well done.

Ok, now its time to blow minds: The Smoke Eaters as The Pixies. We’ve never heard or even heard of this band; they didn’t look familiar from the grocery store, the bar or the borough (that includes their broken-thumb friend that they signed on for Kim Deal duty). Who have no clue who these people are or what their story is, but if there solidly curated and fancifully executed performance as the Pixies is any indication, this could be the best band in Houston you’ve never heard of. We cannot emphasize the point strong enough: this band floored us.

Even Lonestar Pornstar surprised us a bit with the raw earnestness with which they tackled the Red Hot Chili Peppers catalog. And while we would never ever ever advocate listenership any band fronted by a white guy sporting both ‘Soldier’ and ‘Fueled by Hate’ tattoos, they way he thanked Fitz for asking them to be the Chili Peppers for the evening was, awe, kinda sweet. Oh rad, GIVEITAWAYNOW!

And so then there we were, outside the center of a very different scene in the very same city; one that books bands whose publicity photos alone send eyes reeling and who won’t get rid of those damn damn damn blacklights. The door guy doesn’t know what Hands Up Houston is, and he doesn’t seem to care. Just like us, he’s got his scene and he’s not terribly curious about what’s going on just over the tracks. Cheers to you man.

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Friday, February 9, 2007

Toadies Tap Bring Back the Guns for Opening Slot

Bring Back the Guns, whose van's upholstery looks wicked showroom fresh, will warm up the crowd at Verizon Wireless while the temporarily(?) re-united Toadies wait in the wings. The Guns, who have played with them three times before, got the call from drummer Mark Reznicek earlier this week asking if they wanted to open up "I am barfing six kinds of happiness," IMed a understandably stoked Erik Bogle. Word is that the Guns may be trying to rush out some copies of their latest record for the show, and it has been implied to us that they may have some other on-stage tricks up their sleeve. The Toadies currently have three shows booked for March, all in Texas, and all fueled by the consummate "making it big and then getting screwed by your record company" story. See you in the Kingdom, possum.

The Toadies, Bring Back the Guns
March 14
Verizon Wireless Theater

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Liz Going Away Party Artwork Revealed


"going for the cool ranch doritos look"

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Thursday, February 8, 2007

REVEALED: 713 @ SXSW

Having put the poo poo on day party schedulers and festival attendees for long enough, the mighty and predicatble SXSW official band list has finally been revealed. Though not un-deserving, the list of Houston rock kids getting wrist bands of their own is to be expected (with a few notables snubbed again). Take solace in the fact that you are already digging on the best in the city, and that there isn't some whip-ass scene in Jersey Village that you have been missing out on. Possible exception is Pekaboo Theory, whose electro-chill-whatchamacallits might be an new unknown up your alley. THE LIST:

Ceeplus and the House of Bad Knives, Fatal Flying Guilloteens, Jana Hunter, Jandek, Indian Jewelry, The Jonbenet and Rusted Shut.


ALSO, while we here at The Skyline Network don't know thing one about the rap game in our city, far more of them will be at SouthBy than their guitar toting area-code sharers. Let the assasinations begin:

Billy Cook, Chingo Bling, Devin the Dude, DJ Chill, Young Samm, Short Texas, Kenika, Lil Boom, 2 Deep, DJ Domo, 14K, Rob G, Magno, Big Tike, Lester Roy, Lil Mario, Big Pic, Lower Life Form, Southern Intellect and the Studemont Project.

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Wednesday, February 7, 2007

GOSSIP: Bucky Booking Shows Again

For the first time in like, one zillion years, Bucky, the famously record-endowed Hands Up Houston taste-maker and schemer of schemes, has started booking shows again. We’re told that he’s just doing it here and there, with a few acts under discussion and a single confirmation to date: Bellavista (members of Vue) March 21st at The Mink. In other news, no word yet if his stints on the road with MC Chris has lead to any subpoenas by the city of Boston.

CONFIRMED: Turkeys & Act of God

OH SNAP. We've got word direct from Chicago heartbreaker, Noise and Smoke organizer and former Skyline Network Contributor Joey Promahoney that the clip-winged Turkeys will be playing a show at Diverse Works PJ's Sport's Bar Friday March 2nd. Joining them? How about a little Act of God action! Yes, it's true, James and Warren are taking time off from taking time off from Golden Axe to play a show together like it's 2003 all over again. Ok, not really. Remember when we told you about Mr. Love's inquiries about drum machines? Well, that's the only clue we're going to give you. While online polling seems to indicate that The Turkeys might, indeed, play shows without guitarist Promahoney (and why not, considering they played their 'final' set without singer Jason Dagger), but he FOR SURE will be here for this one, and so best to get it while the gettin's good. Free Show, btw.

Update: This show has been moved to PJ's Sports Bar.

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Show Preview and Comment: The Lemonheads

There will always be those that we revere; people who, during a time in our lives, we hold in a regard which crosses the River Jordan from adulation to veneration. My memory offers no stronger example of such apotheosis than how I felt about Dustin Jones, a friend in high school. Usually, the object of such deification is removed, by time, space or interpersonal connections, from he or she compelled to exalt. Not in this instance; he was just another kid like me, with a locker and a book bag and a bad hair cut. But he was my Apollo of cool.

He barked with dry humor; He played guitar in a band that beat Weezer to the cheeky lyrical Green Day reference by years; In the era when suburban music knowledge was gained only through endless cryptic experimentation with the Sub Pop, Taang!, and SST mailing order sheets, his knowledge of the underground seemed effortless and preternatural; He had a Pavement tape and talked about starting a band that sounded like My Bloody Valentine; He had a Hate Your Friends T-Shirt.

To me, he was straight from my defining image of slack-rock cool from the Alternative Nation years: the band portrait of The Lemonheads from the Shame About Ray LP. Huddled together, dressed as though they had just painted their dingy Boston apartment, they were beautiful. I can’t remember ever thinking it was cool to smoke cigarettes or drink beer before seeing that picture, and is the only explanation I can think of for why I drank so much Michelob in college.

And there, in college, I found other Lemonhead fans. Though we named ourselves for a tea we saw on the wall at a restaurant, it shouldn’t be that surprising that every member of a band called Lemonzinger owned the entire Even Dando catalog (plus bootlegs). “I wonder if Dustin would like us” I mused about the even-then-long-lost friend.

I bought Car Button Cloth and saw them on that final tour. Lemonzinger evolved and broke up. I no longer thought about my high-school deity or dreamed about a Juliana Hatfield of my own. When Dando’s solo, Baby, I’m Bored, was released I couldn’t even be bothered to steal it from the internet.

Now I am older. I no longer deify people here or there. Yet I am nostalgic, and I miss days of sunshine goofball wordplay about stoves and park rangers and King Street. I feel that I should trade my nights of whiskey for afternoons of Michelob. I still would like very much to paint my apartment with a girl who takes time off from her band to play bass in mine. Maybe that is why I will make the long journey into the wilderness to see The Lemonheads play tomorrow – to close my eyes and wonder, in wonder and awe, if it is possible to go back again; To play notes and say words and do things and feel fresh about something done a thousand times since that first time in your life. That is why I will cheer – for hope that long ago can still be right now, for Evan, for Dustin and for me.

The Lemonheads with Vietnam
Thursday, February 8th
The Scout Bar - Tickets

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Tuesday, February 6, 2007

GOSSIP: Dunnock New Booking agent at Prolo

With Shawna now gone (but surely still recieving emails to the contrary), the word is that The Proletariat has tapped Reprogram Radio co-host Dunnock to handle their booking. Dunnock, who is more than rumored to lay his mighty hammer down onto the Trishy half of T&T Music Factory, is also half the duo Frank From Accounting, who should, frankly, play more shows. Good luck in the new role.

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Exclusive: Golden Axe talk Recording

It seems we can't go a week without offering up some juicy tid-bit or another about one of our favorite duos, Golden Axe. We've gotten word that they have, are, or will soon be recording with Terry and Jeff (of Walter's on Washington fame) at the new studio they built next door to Pamland's final outpost. According to drummer James Love, the recordings will be pressed onto a limited, colored vinyl 7", due out sometime this summer. Also, we've heard that Mr. Love has been seeking out some drum machines, which, frankly, sounds like the beginning of something fairly whipass. Stoked.

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SXSW Show Glut Update

More bands have been confirmed for the annual tofu-hogie binge of touring acts that find their way to our stages and streets in mid-March. Are you daft or are you punk? Know of any shows that haven't made our list yet? Email em to us.

Friday March 9th
Noise and Smoke Fest Day One
Ume, The Ka-Nives, Satin Hooks, Bring Back the Guns, Finally Punk, Jana Hunter, Eat Grapes, Cop Warmth
Notsuoh


March 10th
Noise and Smoke Fest Day Two
Indian Jewelry, Something Fierce, Skullening, God’s Temple of Family Deliverance, The Wiggins, Blades, The Dimes
Walter’s on Washington

Deerhoof, Macromantics, Experimental Dental School
Numbers
Tickets: Superunison.com


March 11th
Snow Patrol, Ok Go, Silversun Pickups
Verizon Wireless Theater
Tickets: Ticketmaster

Sputnik Monroe, Solarfed
Super Happy Fun Land


March 12th
Fucked Up, Iron Age, Fatal Flying Guilloteens, I Am Wolf
Walter’s on Washington
Tickets: Hate Tank Productions

Snowden, Malajube, Million Year Dance
The Mink
Tickets: Pegstar.net

Dragonforce, Killswitch Engage, He is Legend, Chimaira
Verizon Wireless Theater
Tickets: Ticketmaster

Lebanon, Tambersauro
Rudyards
More Info: MySpace

Matt Duke, Andrew Lipke, Mermaid Police, Hoots & Hellmouth, The Human Condition
Super Happy Fun Land


March 13th
120 Days, Shout Out Out Out Out, Foreign Islands
The Mink
Tickets: Pegstar.net

Birds of Avalon, Ladyhawk, Saturday Looks Good to Me, Castanets
The Proletariat
FREE SHOW

Big Business, Alabama Thunderpussy, Blackmarket, Bowel
The White Swan
Tickets: Hate Tank Productions

Six Parts Seven, The Nautical Mile, Constants, Tambersauro
Notsuoh
Info: Always Summer Booking

The Moaners
Rudyards
More Info: MySpace

Jonah Matranga
Super Happy Fun Land


March 14th
The Presets, Crystal Castles, Datarock
The Engine Room
Tickets: Pegstar.net

Pelican, Daughters, Russian Circles, Black Widows, Cinemechina
Walter’s on Washington
Tickets: Superunison.com

Albert Hammond, Jr.
The Meridian
Tickets: Ticketmaster

The Toadies
Verizon Wireless Theater
Tickets: Ticketmaster

Black Fiction
The Proletariat
Tickets: TBA

Dead Meadow, Spindrift
The Mink
Tickets: Pegstar.net

The Draft, O Pioneers!!!, Brainworms, Bomb the Music Industry
The White Swan
Tickets: i heart u productions

The Snakebites, City Streets, The Mathematicians
Super Happy Fun Land

March 15th
Beyonce at Rodeo Houston
Reliant Stadium
Tickets: Ticketmaster

The Tragically Hip
Scout Bar
Tickets: Front Gate

John Digweed, MSTRKRFT
Warehouse Live
Tickets: Ticketmaster

Stinking Lizaveta, Weedeater, Noxagt
Rudyards
More Info: MySpace

Heavy Heavy Low Low, Horse the Band, So Many Dynamos
Java Jazz
Advamce Tickets

March 16th
Lilly Allen
The Engine Room
Tickets: Pegstar.net

Scissor Sisters
Verizon Wireless Theater
Tickets: Ticketmaster

8808 Records Showcase Featuring:
Transmography, A Problem of Alarming Dimensions, *SONS, Josh Abbott, Orents Stirner
Super Happy Fun Land


March 17th
RJD2, Happy Chichester, Busdriver, Anti MC
Warehouse Live
Tickets: Ticketmaster

The Slats
Super Happy Fun Land

March 18th
Hot Cross, Bitter Homes & Gardens, Fire Team Charlie, A Silhouette
The White Swan (Matinee Show)
Info: Always Summer Booking

The Ponys, The Black Lips, Deerhunter, The Jonx
The Mink
Tickets: Pegstar.net

Hella, Sunburned Hand of the Man, Magik Markers, Black Helicopter
The Proletariat
$10 at the Door

Aqueduct
Walter’s on Washington
Tickets: Superunison.com

Panther, Minmae, Bears
Super Happy Fun Land

ZZ Top at Rodeo Houston
Reliant Stadium
Tickets: Ticketmaster

Public Enemy
Warehouse Live
Tickets: Ticketmaster

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Rumors: New Bar to Open on Westheimer

Word on the street is that the guy behind Taxi Taxi and Leopard Lounge is opening a new bar on Westheimer, between Mandell and Commonwealth. Though the name of the new joint escapes me at the moment (really need to start writing things down) we want to say that it has something to do with rambunction, ruckus or tomfoolery. The club itself is said to be two stories, with a bar on the street level and a more lounge environment on the upper deck. Opening time is set for mid-April to May. With this addition, will 2007 finally be the year when a Westheimer bar-crawl gets off its feet? You'll know more when we do.